Prelingual Deafness and the Manualist/Oralist Controversy in the Dutch Republic

The Case of the Groningen Painter Jan Jansz. de Stomme

Abstract

This essay discusses the life and career of the prelingually deaf painter Jan Jansz. de Stomme (1615-1658) in the context of early modern debates on deafness, oral speech, and gestural communication. A son of a Franeker burgomaster, Jan moved to Groningen in 1643, where he became known for his portraits of Frisian aristocracy, got married twice, and lived in wealth in a prestigious neighbourhood. The theologian Samuel Maresius and scholar Anton Deusing described Jan’s devout attendance of services in the Reformed Church, which defended his right to participate in Holy Communion. A similar account was given in a family chronicle written by Jan’s grandnephew, who further specified that Jan joined the church as a communicant member expressing his understanding of the doctrine through gestures. By examining these various sources, I argue that church membership played an important role in bolstering Jan’s social status and undermining the alleged intellectual and mental inferiority of prelingually deaf people. I further show that despite the belief that oral speech was a sign of intelligence necessary to perform functions deemed normative, Jan established a successful career communicating only through gestures.